Launched in 2017, Abu Dhabi Art invites renowned artists to create site-specific works in historic locations across Al Ain and Abu Dhabi. These commissions activate cultural sites, engage new audiences, and remain on view beyond the fair. Sponsored by Abu Dhabi Art’s Global Partner HSBC. For workshop bookings and free group tours, please email us at programmes@abudhabiart.ae
Commissioned Artists: Issam Kourbaj | Nike Davies-Okundaye | Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian In collaboration with Bhakta Gaha
Sites Activated: Al Ain Museum, Al Ain Oasis, Al Hili Archeological Park, and Al Qattara Oasis
Exhibiting: 19 | 11 | 2025 – 26 | 4 | 2026
The artist explores the dual meaning of Al Ain in Arabic—as both “eye” and “spring.” Inspired by Ibn al-Haytham, the father of optics and the camera obscura, the artist has introduced Majlis Obscura in Al Qattara Oasis, along with a connected series, the Camerae Obscurae, across the city of Al Ain (In Al Ain Museum and Al Hili Archeological Park.) In this new body of work, the device becomes more than a tool of vision—it transforms into a vessel of memory, inviting us to pause, reflect, and reorient our gaze.
Sites: Al Ain Museum, Al Hili Archeological Park, and Al Qattara Oasis


Two-panel installation, adire on cotton
This commission links the two cities, Osogbo and Al Ain, through their shared histories of palm cultivation and the sustaining presence of water. In Al Ain Oasis, date palms have flourished for millennia, supported by the falaj irrigation system; in Osogbo, Nigeria, palm farming and the nearby Osun River continue to shape economic, spiritual, and cultural life. The scale and format recall the backdrops of Yoruba traveling theatre, used in the 1950s as ephemeral props for roaming public performances. This theatrical tradition was central to cultural life in Osogbo, where Nike’s artistic career began and where the Osogbo Art Movement emerged.
The work is installed inside a structure inspired by the traditional arish, historically used across the Gulf for seasonal shelter. In Market Square, Nike Davies-Okundaye creates a textile environment that connects places, histories, and traditions across continents.
Site: Al Ain Oasis


Mixed media: 3D Print, handcrafted steel fabrication and painting
The Abu Dhabi–based artists have conceived a sculpture at Al Hili Archaeological Park, inspired by a phrase from the Andalusian mystic Ibn Arabi. The work transforms his words into intertwined letters that hover in space — a poetic fusion of language, form, and imagination.
In the practice of the artists, production is performance, and performance is a collective action leading to dance, art, and architecture. Their work explores models of collaboration, often involving artists and individuals from diverse backgrounds, resulting in a self-sustaining creative ecosystem. Their Abu Dhabi home has been an ongoing project, which serves as studio, stage, library, and research space—reflecting a practice that is at once individual and communal, aesthetic and critical, humorous and poetic.
Site: Al Hili Archeological Park
Artist, Artists Commissions in Cultural Sites 2025
Artist, Artists Commissions in Cultural Sites 2025
Artist, Artists Commissions in Cultural Sites 2025
Artist, Artists Commissions in Cultural Sites 2025
Artists, Artists Commissions in Cultural Sites 2025
Artists, Artists Commissions in Cultural Sites 2025
Issam Kourbaj comes from a background of fine art, architecture and theatre design. He was born in Syria and trained at the Institute of Fine Arts in Damascus, the Repin Institute of Fine Arts & Architecture in Leningrad (St Petersburg) and at Wimbledon School of Art (London). Since 1990, he has lived and worked in Cambridge, eventually becoming an Artist in Residence at Christ’s College, a Bye-Fellow (2007-2011) and a Lector in Art. In 2009, as part of Cambridge University’s celebration of its 800th anniversary, Issam was invited to design the sets for the play Let Newton Be! and for a contemporary dance piece Light Matters, which was presented in the University Senate House. His Cambridge Palimpsest, a puzzle box linking time and archaeology, was also published by Cambridge University Press as part of the celebrations and was presented to the Duke and Duchess of Cambridge during their first official visit to Cambridge. He is interested in collaborating with other creative science and humanity disciplines and has produced work using different forms of Camerae obscurae, inspired by Ibn Al-Haytham’s work on optics. His work has been widely exhibited, collected, and exhibited in several museums around the world: Fitzwilliam Museum, Classical Archaeology Museum and Kettle’s Yard, Cambridge; the British Museum and Victoria and Albert Museum, London; Henry Moore Institute, Leeds; Wereldmuseum (formerly Tropenmuseum), Amsterdam; Penn Museum, Philadelphia; Brooklyn Museum, New York, among others. His Dark Water, Burning World is in the permanent collection of the Pergamon Museum, San Diego Museum of Art and the British Museum. For the BBC’s ‘A History of the World in 100 Objects,’ Neil MacGregor (the former director of the British Museum) chose it as the 101st object. Portrait Image - courtesy Kettle’s Yard, University of Cambridge ──────────────────────────────────────────────────────── This page was last updated in November 2025.
Chief Nike Davies-Okundaye (b. 1951, Ogidi, Nigeria) is a pioneering Nigerian artist, textile designer, and cultural entrepreneur renowned for her revival and global promotion of Yoruba textile traditions. Nike began weaving at the age of six, learning from her great-grandmother who was a weaver and adire textile maker. She mastered adire indigo resist-dyeing, weaving, embroidery, and appliqué, and has become one of the most prominent custodians of these art forms. In the 1960s, she was associated with the Osogbo Art Movement, where she developed a bold visual language blending tradition and modern life. Affectionally known as “Mama Nike”, she is a seminal figure of the Nigerian art community, with four art centres throughout the country. Over five decades, Nike has exhibited internationally and conducted workshops across Europe, the United States, Asia, and Africa, introducing audiences to the techniques and philosophies of Yoruba art. She is the founder of the Nike Art Foundation and Nike Art Galleries, which provide training and support to thousands of young artists and craftspeople. Through her practice and institutions, Davies-Okundaye has advanced cultural preservation and the global recognition of Nigerian artistic heritage. Image is courtesy Nike Davies-Okundaye ────────────────────────────────────────────────────────
This page was last updated in November 2025.
In the art making of Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian, production is performance, and the performance is a collective action leading to dance, art, and politics. The trio investigates a model of how to collaborate, translating it into multiple forms which often evolve around artists and people from different walks of life. Through this body assembly, creating a self-sustaining creative life; how to build an aesthetic and undermine it; how to be politically acute and humorous, generous and eccentric. ──────────────────────────────────────────────────────── This page was last updated in November 2025.
Their work is often referred to as a landscape where the complex nature of processing is integrated into the nested system that forms the landscape of their practice. Their home is a working studio, a film set, a library and a research center. The house informs their art as it results from both collective and individual endeavor. The artists are not a distinct group or collective as their practice often evolves around other artists and friends.
Ramin, Rokni, and Hesam live and work in Abu Dhabi, UAE.
We use cookies to ensure you get the best experience on our website. By using our site, you agree to our Privacy Policy.